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Mango Concert
This is a 16" scale Koa concert. The headstock appears
to be a reddish color in the picture but it's exactly the
same as the front (and the rest of the instrument, for that
matter). The fingerboard, bridge and binding are
rosewood. The top has maple and rosewood purfling.
Inlays, including side dots, are abalone.
to be a reddish color in the picture but it's exactly the
same as the front (and the rest of the instrument, for that
matter). The fingerboard, bridge and binding are
rosewood. The top has maple and rosewood purfling.
Inlays, including side dots, are abalone.
East Indian Rosewood concert with ebony headstock overlay, fingerboard, bridge and binding.
The nut and compensated saddle are made from black polished Corian. The geared Gotoh
tuners have black buttons. "R" headstock inlay and fingerboard dots are MOP. The
mahogany neck has been re-enforced with a graphite truss rod.
The nut and compensated saddle are made from black polished Corian. The geared Gotoh
tuners have black buttons. "R" headstock inlay and fingerboard dots are MOP. The
mahogany neck has been re-enforced with a graphite truss rod.
Instrument constructed of book-matched,
master grade koa. The scale length is 16 inches
(406.4 mm). The neck has been reinforced with
a carbon fiber truss rod, giving it exceptional
strength and stability. The fingerboard, bridge,
and binding are rosewood. The nut and
compensated saddle are made of bone. It has
gold Gotoh tuners with amber colored buttons.
The "R" headstock inlay, fingerboard markers
and rosette are inlayed in abalone.
master grade koa. The scale length is 16 inches
(406.4 mm). The neck has been reinforced with
a carbon fiber truss rod, giving it exceptional
strength and stability. The fingerboard, bridge,
and binding are rosewood. The nut and
compensated saddle are made of bone. It has
gold Gotoh tuners with amber colored buttons.
The "R" headstock inlay, fingerboard markers
and rosette are inlayed in abalone.
.Koa concert with a mahogany neck which has been reinforced with a carbon fiber truss
rod and joined to the body at the 14th fret. The scale length is 16.5 inches and there are
19 frets total. The fingerboard has a slight radius to enhance playability and aesthetics,
and it has abalone fret markers. Side markers are also provided. The "R" headstock inlay
and rosette are abalone as well. The nut and compensated saddle are bone and it has
geared Gotoh tuners.
rod and joined to the body at the 14th fret. The scale length is 16.5 inches and there are
19 frets total. The fingerboard has a slight radius to enhance playability and aesthetics,
and it has abalone fret markers. Side markers are also provided. The "R" headstock inlay
and rosette are abalone as well. The nut and compensated saddle are bone and it has
geared Gotoh tuners.
Cutaway Concert
The ebony fingerboard has abalone position markers as well as abalone side dots. The
bridge is also ebony. The Honduran Mahogany neck joins the body at the 14th fret and is
reinforced with a carbon fiber truss rod for strength and stability. The "R" and the rosette
are inlayed in abalone. The nut and compensated saddle are made of bone. It has
geared, open-backed, Gotoh tuners.
bridge is also ebony. The Honduran Mahogany neck joins the body at the 14th fret and is
reinforced with a carbon fiber truss rod for strength and stability. The "R" and the rosette
are inlayed in abalone. The nut and compensated saddle are made of bone. It has
geared, open-backed, Gotoh tuners.
Cutaway Concert
The koa for this instrument is dark and curly, with very
nice color and stripping. The fingerboard and bridge are a
Brazilian Rosewood look alike, Madagascar Rosewood.
The binding is East Indian Rosewood. The koa headstock
overlay "R," fingerboard markers, as binding is East
Indian Rosewood. The koa headstock overlay "R,"
fingerboard markers, as well as side dots and the
soundhole rosette are all inlayed in abalone. The
mahogany neck is reinforced with a carbon fiber truss rod
for added strength and stability. The neck is joined to the
body at the 14th fret using the traditional Spanish heal
method. There are 19 frets in all. The nut and
compensated saddle are made of bone. It has gold
colored, Gotoh geared tuners with ebony buttons.
nice color and stripping. The fingerboard and bridge are a
Brazilian Rosewood look alike, Madagascar Rosewood.
The binding is East Indian Rosewood. The koa headstock
overlay "R," fingerboard markers, as binding is East
Indian Rosewood. The koa headstock overlay "R,"
fingerboard markers, as well as side dots and the
soundhole rosette are all inlayed in abalone. The
mahogany neck is reinforced with a carbon fiber truss rod
for added strength and stability. The neck is joined to the
body at the 14th fret using the traditional Spanish heal
method. There are 19 frets in all. The nut and
compensated saddle are made of bone. It has gold
colored, Gotoh geared tuners with ebony buttons.
Macassar Ebony concert with spruce top. It has a one
piece Honduran Mahogany neck that is reinforced with a
carbon fiber truss rod. The neck joins the body at the
14th fret and there are 19 frets total. The fingerboard
and bridge are ebony and are radiused for playability
and aesthetics. The logo and fingerboard markers are
inlaid in mother of pearl. Side dots are also provided.
The nut and compensated saddle are bone. It has
geared Goto tuners.
I made this instrument for the musician whose first
instrument is the guitar. It has standard sized guitar frets
and fret markers at the 3rd, 5th, 7th, 9th, 12th and 15th
frets.
piece Honduran Mahogany neck that is reinforced with a
carbon fiber truss rod. The neck joins the body at the
14th fret and there are 19 frets total. The fingerboard
and bridge are ebony and are radiused for playability
and aesthetics. The logo and fingerboard markers are
inlaid in mother of pearl. Side dots are also provided.
The nut and compensated saddle are bone. It has
geared Goto tuners.
I made this instrument for the musician whose first
instrument is the guitar. It has standard sized guitar frets
and fret markers at the 3rd, 5th, 7th, 9th, 12th and 15th
frets.
Quilted Concert
Spalted Mango concert with "Stealth" Gotoh tuners. This instrument was made for a musician whose first instrument is a guitar and
so the position markers are located as they are normally found on guitars. I've adopted this for all my ukuleles, unless requested
otherwise, because frequently ukulele players also play guitars, and in fact the guitar may be their first/primary instrument, and
having markers in different positions is just confusing. This instrument also has standard sized guitar frets, rather than the thinner
frets usually found on ukuleles. I think this works well on all but the smallest, soprano ukulele, where the spaces between frets at the
upper positions may be too narrow.
so the position markers are located as they are normally found on guitars. I've adopted this for all my ukuleles, unless requested
otherwise, because frequently ukulele players also play guitars, and in fact the guitar may be their first/primary instrument, and
having markers in different positions is just confusing. This instrument also has standard sized guitar frets, rather than the thinner
frets usually found on ukuleles. I think this works well on all but the smallest, soprano ukulele, where the spaces between frets at the
upper positions may be too narrow.
